function photo(i,c,m,q,d,j,h,o,p,a,l,f,k,b,r,n,g,e){this.id=i;this.galleries_id=c;this.photo_ref=m;this.section_code=q;this.src=d;this.width=j;this.height=h;this.caption=o;this.home=p;this.gallery=a;this.description=l;this.takendate=f;this.photographer=k;this.location=b;this.item_price=r;this.purchase_instruction=n;this.payment_groups_id=g;this.server_id=e;this.src=getServerPath(this.server_id)+"/"+this.src}function gallery(e,c,d,b,a){this.id=e;this.featured_images=c;this.title=d;this.section_code=b;this.photoIDs=a}var backgrounds=new Object();backgrounds[5524413]=new photo(5524413,"312891","","section374962","bibitoni.jpg",500,308,"",0,0,"I am concerned with reality and truth and the feelings that come out of it.<br>\r\n<br>\r\nI use video, photography and interactive installation in order to carry the spectator into my world, into my point of view.<br>\r\n<br>\r\n'WYHISYS (What You Hear Is What You See)' is an installation that takes advantage of the video as a source of sound.<br>\r\nAll that is heard is generated by the video signal that is transmitted.    A different form of communication; a dialogue between  machines, where man can only be an uncomprehending audience. <br>\r\n<br>\r\nIn 'Voyage' the loop reveals details and leads us to follow, to recognize and to rediscover them.<br>\r\n<br>\r\nIt is sometimes useful to change perspective in order to understand what is happening. ","","","","","","",15);backgrounds[5524415]=new photo(5524415,"312891","","section374962","car_crash.jpg",369,227,"",0,0,"I am concerned with reality and truth and the feelings that come out of it.<br>\r\n<br>\r\nI use video, photography and interactive installation in order to carry the spectator into my world, into my point of view.<br>\r\n<br>\r\n'WYHISYS (What You Hear Is What You See)' is an installation that takes advantage of the video as a source of sound.<br>\r\nAll that is heard is generated by the video signal that is transmitted.    A different form of communication; a dialogue between  machines, where man can only be an uncomprehending audience. <br>\r\n<br>\r\nIn 'Voyage' the loop reveals details and leads us to follow, to recognize and to rediscover them.<br>\r\n<br>\r\nIt is sometimes useful to change perspective in order to understand what is happening. ","","","","","","",15);backgrounds[5524417]=new photo(5524417,"312891","","section374962","sea_man.jpg",500,308,"",0,0,"I am concerned with reality and truth and the feelings that come out of it.<br>\r\n<br>\r\nI use video, photography and interactive installation in order to carry the spectator into my world, into my point of view.<br>\r\n<br>\r\n'WYHISYS (What You Hear Is What You See)' is an installation that takes advantage of the video as a source of sound.<br>\r\nAll that is heard is generated by the video signal that is transmitted.    A different form of communication; a dialogue between  machines, where man can only be an uncomprehending audience. <br>\r\n<br>\r\nIn 'Voyage' the loop reveals details and leads us to follow, to recognize and to rediscover them.<br>\r\n<br>\r\nIt is sometimes useful to change perspective in order to understand what is happening. ","","","","","","",15);backgrounds[5524418]=new photo(5524418,"312891","","section374962","voyage.jpg",500,392,"",0,0,"I am concerned with reality and truth and the feelings that come out of it.<br>\r\n<br>\r\nI use video, photography and interactive installation in order to carry the spectator into my world, into my point of view.<br>\r\n<br>\r\n'WYHISYS (What You Hear Is What You See)' is an installation that takes advantage of the video as a source of sound.<br>\r\nAll that is heard is generated by the video signal that is transmitted.    A different form of communication; a dialogue between  machines, where man can only be an uncomprehending audience. <br>\r\n<br>\r\nIn 'Voyage' the loop reveals details and leads us to follow, to recognize and to rediscover them.<br>\r\n<br>\r\nIt is sometimes useful to change perspective in order to understand what is happening. ","","","","","","",15);backgrounds[5524421]=new photo(5524421,"312891","","section374962","WYSIWYH_site.jpg",450,362,"",0,0,"I am concerned with reality and truth and the feelings that come out of it.<br>\r\n<br>\r\nI use video, photography and interactive installation in order to carry the spectator into my world, into my point of view.<br>\r\n<br>\r\n'WYHISYS (What You Hear Is What You See)' is an installation that takes advantage of the video as a source of sound.<br>\r\nAll that is heard is generated by the video signal that is transmitted.    A different form of communication; a dialogue between  machines, where man can only be an uncomprehending audience. <br>\r\n<br>\r\nIn 'Voyage' the loop reveals details and leads us to follow, to recognize and to rediscover them.<br>\r\n<br>\r\nIt is sometimes useful to change perspective in order to understand what is happening. ","","","","","","",15);backgrounds[5524424]=new photo(5524424,"312886","","section374962","KBracher1.jpg",500,500,"",0,0,"I explore my interest in society, self-image and the individual through photography and elements of performance art. <br>\r\n<br>\r\nMy work is fuelled by interactions and experiences; whilst being open to transformation and adaptation.<br>\r\n<br>\r\nI examine my visual presentation to the world, experimenting and reinventing the image I present whilst watching the reaction of the viewer.","","","","","","",15);backgrounds[5524426]=new photo(5524426,"312886","","section374962","KBracher2.jpg",500,500,"",0,0,"I explore my interest in society, self-image and the individual through photography and elements of performance art. <br>\r\n<br>\r\nMy work is fuelled by interactions and experiences; whilst being open to transformation and adaptation.<br>\r\n<br>\r\nI examine my visual presentation to the world, experimenting and reinventing the image I present whilst watching the reaction of the viewer.","","","","","","",15);backgrounds[5524428]=new photo(5524428,"312886","","section374962","KBracher3.jpg",500,500,"",0,0,"I explore my interest in society, self-image and the individual through photography and elements of performance art. <br>\r\n<br>\r\nMy work is fuelled by interactions and experiences; whilst being open to transformation and adaptation.<br>\r\n<br>\r\nI examine my visual presentation to the world, experimenting and reinventing the image I present whilst watching the reaction of the viewer.","","","","","","",15);backgrounds[5524429]=new photo(5524429,"312886","","section374962","KBracher4.jpg",500,500,"",0,0,"I explore my interest in society, self-image and the individual through photography and elements of performance art. <br>\r\n<br>\r\nMy work is fuelled by interactions and experiences; whilst being open to transformation and adaptation.<br>\r\n<br>\r\nI examine my visual presentation to the world, experimenting and reinventing the image I present whilst watching the reaction of the viewer.","","","","","","",15);backgrounds[5524431]=new photo(5524431,"312886","","section374962","KBracher5.jpg",500,500,"",0,0,"I explore my interest in society, self-image and the individual through photography and elements of performance art. <br>\r\n<br>\r\nMy work is fuelled by interactions and experiences; whilst being open to transformation and adaptation.<br>\r\n<br>\r\nI examine my visual presentation to the world, experimenting and reinventing the image I present whilst watching the reaction of the viewer.","","","","","","",15);backgrounds[5524432]=new photo(5524432,"312886","","section374962","KBracher6.jpg",500,500,"",0,0,"I explore my interest in society, self-image and the individual through photography and elements of performance art. <br>\r\n<br>\r\nMy work is fuelled by interactions and experiences; whilst being open to transformation and adaptation.<br>\r\n<br>\r\nI examine my visual presentation to the world, experimenting and reinventing the image I present whilst watching the reaction of the viewer.","","","","","","",15);backgrounds[5524433]=new photo(5524433,"312886","","section374962","KBracher7.jpg",500,500,"",0,0,"I explore my interest in society, self-image and the individual through photography and elements of performance art. <br>\r\n<br>\r\nMy work is fuelled by interactions and experiences; whilst being open to transformation and adaptation.<br>\r\n<br>\r\nI examine my visual presentation to the world, experimenting and reinventing the image I present whilst watching the reaction of the viewer.","","","","","","",15);backgrounds[5524450]=new photo(5524450,"312890","","section374962","Nuova_immagineJPG.jpg",591,392,"",0,0,"Bulide is a cave in cardboard, lives in space in which it is built, it is a work that incorporates, or given the available surface bulide employing entirely.<br>\r\nBulide The term derives from Eubulide, greek philosopher who is generally attributed to the paradox of the liar.<br>\r\nThe work plays on the visual impact, the first appearance I want the viewer is led to believe, to actually be in front of a real cave, who doubts the reality is located inside a cooling artiganale, made with material recycling, which operate as loading a container with colored icicles.","","","","","","",15);backgrounds[5524455]=new photo(5524455,"312899","","section374962","rebwar1.jpg",454,500,"",0,0,"In these drawings I am defining the borders and insisting on them to shape my form. It is important to me to see unbroken lines. In all the drawings eyes and hands are repeated - they convey the inner feelings of the figures to the viewer.","","","","","","",15);backgrounds[5524472]=new photo(5524472,"312894","","section374962","chiara1a.jpg",450,559,"",0,0,'"In the world of art it is like I live in an illusion<br>\r\nof my own life."<br>\r\n<br>\r\n<br>\r\n<br>\r\nThrough my paintings I want to show the dynamic and the power of the colours.<br>\r\nShapes, shadows and lights are like whispers in my Art book, useful  for a strong sense of depth.<br>\r\n<br>\r\nI decided to experiment in a different way by mixing the colors in such a way that I could achieve the movement and the action.<br>\r\n<br>\r\nI took all my thoughts and I put them down onto a canvas in my own way and used colours that I felt were significant.<br>\r\n<br>\r\nEvery piece of my work has the same technique. <br>\r\nThe way that I have used the big brush and the spatula, to pull the paint across the surface, and also the colors splash. The many materials I used such as the oil and the acrylic paint, the gloss, the pva, the metal spray and the varnish. ',"","","","","","",15);backgrounds[5524475]=new photo(5524475,"312893","","section374962","ginettep1grey.jpg",450,577,"",0,0,"I work with found images that have a structure that I respond to, and feel I can use to convey my message. It could be absolutely any image. My work is about life mirroring the alchemic process. I'm dealing with Theo alchemy, the spiritual side of alchemy. I use it as a metaphor for my own spiritual journey through life. I am also very conscious of the self-reflexivity of studio practice that simultaneously opens me to factors of chance and synchronicity, improvisation and intuition.","","","","","","",15);backgrounds[5524478]=new photo(5524478,"312893","","section374962","ginettep2a.jpg",450,585,"",0,0,"I work with found images that have a structure that I respond to, and feel I can use to convey my message. It could be absolutely any image. My work is about life mirroring the alchemic process. I'm dealing with Theo alchemy, the spiritual side of alchemy. I use it as a metaphor for my own spiritual journey through life. I am also very conscious of the self-reflexivity of studio practice that simultaneously opens me to factors of chance and synchronicity, improvisation and intuition.","","","","","","",15);backgrounds[5524482]=new photo(5524482,"312895","","section374962","johan1a.jpg",450,283,"",0,0,"Especially interested in portraying the light falling through the dark water of a lake, <br>\r\nI have been trying to paint the northern pike, esox lucius, a resident of the murky waters <br>\r\nin which I use to go fishing. I take the folklore of peoples fear of nature and the jungian <br>\r\narchetypical dimension into account.","","","","","","",15);backgrounds[5524483]=new photo(5524483,"312898","","section374962","juliaAngel1.jpg",450,600,"",0,0,"My work is concerned with a sense of loss and emptiness, and something missing from childhood.   The pieces are simple, familiar forms, rendered in everyday materials like plaster and cement.   There is a starkness and a sense of absence, where softness and a human presence might be expected.","","","","","","",15);backgrounds[5524486]=new photo(5524486,"312888","","section374962","michaela1a.jpg",450,357,"",0,0,"To touch, to be curious, to enter, to stop, softness. Protective and welcoming <br>\r\nplaces, where to unwind from hectic city life and to again feel feelings that <br>\r\nare lost.<br>\r\nFind your space and discover that sometimes what you see is not what it really <br>\r\nis, go beyond, beyond any appearance.","","","","","","",15);backgrounds[5524488]=new photo(5524488,"312888","","section374962","michaela2a.jpg",450,253,"",0,0,"To touch, to be curious, to enter, to stop, softness. Protective and welcoming <br>\r\nplaces, where to unwind from hectic city life and to again feel feelings that <br>\r\nare lost.<br>\r\nFind your space and discover that sometimes what you see is not what it really <br>\r\nis, go beyond, beyond any appearance.","","","","","","",15);backgrounds[5524493]=new photo(5524493,"312906","","section374962","assemblyw.jpg",450,643,"",0,0,'" Most of my sculptures have been memories remade, recombined, and filtered through my current experiences-" <br>\r\nRobert Gober<br>\r\n<br>\r\n"A Sculpture should aspire to be a Thing-"<br>\r\nWilliam Tucker<br>\r\n',"","","","","","",15);backgrounds[5524497]=new photo(5524497,"312906","","section374962","sculpture_iom_022aw.jpg",450,560,"",0,0,'" Most of my sculptures have been memories remade, recombined, and filtered through my current experiences-" <br>\r\nRobert Gober<br>\r\n<br>\r\n"A Sculpture should aspire to be a Thing-"<br>\r\nWilliam Tucker<br>\r\n',"","","","","","",15);backgrounds[5524498]=new photo(5524498,"312906","","section374962","tributew.jpg",450,449,"",0,0,'" Most of my sculptures have been memories remade, recombined, and filtered through my current experiences-" <br>\r\nRobert Gober<br>\r\n<br>\r\n"A Sculpture should aspire to be a Thing-"<br>\r\nWilliam Tucker<br>\r\n',"","","","","","",15);backgrounds[5524500]=new photo(5524500,"312906","","section374962","untitledw.jpg",450,352,"",0,0,'" Most of my sculptures have been memories remade, recombined, and filtered through my current experiences-" <br>\r\nRobert Gober<br>\r\n<br>\r\n"A Sculpture should aspire to be a Thing-"<br>\r\nWilliam Tucker<br>\r\n',"","","","","","",15);backgrounds[5524543]=new photo(5524543,"312907","","section374962","Nikos1.jpg",450,332,"",0,0," My paintings are in the strictest sense representational and their subject-<br>\r\nmatter is the child and childhood seen as the site around which certain<br>\r\npsychological and social preconceptions are played out. This might be broadly stated as the child and child’s consciousness of ‘self and other’, versus the adult consciousness of child; the assumption of innocence as it is understood or is constructed by a knowledgeable, sexually oriented adult. In the context of my painting this can be crudely divided between ‘child’ as subject and the painter’s – therefore the viewer’s – gaze. In this respect it links to a wide range of references derived from post war art history and popular culture.","","","","","","",15);backgrounds[5524545]=new photo(5524545,"312901","","section374962","Tina1.jpg",450,336,"",0,0,"The drawings are immersed in the pleasure and anxiety involved in positions of instability arising from diaspora experiences of sudden and dramatic change, displacement and the unpredictable. I consider them, and processes they are made through, as spaces for disobedience. Disobedience here is not solely understood as mischief, but more on the level of not accepting a current state of affairs and having an indeterminate position. ","","","","","","",15);backgrounds[5527111]=new photo(5527111,"312903","","section374962","carezza1w.jpg",500,400,"",0,0,"A fusion of issues trigger my creative explorations with the use of an everyday video camera. My attachment to ‘moving’ and ‘still’ imagery is questioned whilst I manipulate the material, process and representational properties of such images. The aim is to probe the the affective, perceptual and cognitive drives inherent in the viewing experience of the spectator. <br>\r\n<br>\r\nTitle  ' La Carezza'   Digital Video.  Date 2010 Duration 10mins.  ","","","","","","",15);backgrounds[5527112]=new photo(5527112,"312903","","section374962","carezza2w.jpg",500,400,"",0,0,"A fusion of issues trigger my creative explorations with the use of an everyday video camera. My attachment to ‘moving’ and ‘still’ imagery is questioned whilst I manipulate the material, process and representational properties of such images. The aim is to probe the the affective, perceptual and cognitive drives inherent in the viewing experience of the spectator. <br>\r\n<br>\r\nTitle  ' La Carezza'   Digital Video.  Date 2010 Duration 10mins.  ","","","","","","",15);backgrounds[5527113]=new photo(5527113,"312903","","section374962","carezza3w.jpg",500,400,"",0,0,"A fusion of issues trigger my creative explorations with the use of an everyday video camera. My attachment to ‘moving’ and ‘still’ imagery is questioned whilst I manipulate the material, process and representational properties of such images. The aim is to probe the the affective, perceptual and cognitive drives inherent in the viewing experience of the spectator. <br>\r\n<br>\r\nTitle  ' La Carezza'   Digital Video.  Date 2010 Duration 10mins.  ","","","","","","",15);backgrounds[5527114]=new photo(5527114,"312903","","section374962","carezza4w.jpg",500,400,"",0,0,"A fusion of issues trigger my creative explorations with the use of an everyday video camera. My attachment to ‘moving’ and ‘still’ imagery is questioned whilst I manipulate the material, process and representational properties of such images. The aim is to probe the the affective, perceptual and cognitive drives inherent in the viewing experience of the spectator. <br>\r\n<br>\r\nTitle  ' La Carezza'   Digital Video.  Date 2010 Duration 10mins.  ","","","","","","",15);backgrounds[5531805]=new photo(5531805,"313191","","section374962","Vitamin_2008a.jpg",450,599,"Vitamin 2008 <br>\r\nOil on board 45cm x 40cm",0,0,"“This is the kind of painting that uses touch to gain meaning, to draw or drag itself awkwardly in the direction of visual sense. In a faint relationship with the surface Graves’ touch replaces any easy initial understanding with the new affirmation that whatever this work is about or for, it could only ever really exist in this form.<br>\r\n<br>\r\nThe painting stroke and the relation the artist has with the surface, implies that this is an activity, a movement, a focus of concentration that could easily move on, and continue elsewhere off the edges of the painting.”<br>\r\n<br>\r\nReview of work written by Sacha Craddock","","","","","","",15);backgrounds[5531807]=new photo(5531807,"313191","","section374962","Escartin_2008a.jpg",450,514,"F. Escartin 2008<br>\r\nOil and tempera on board 45cm x 40cm",0,0,"“This is the kind of painting that uses touch to gain meaning, to draw or drag itself awkwardly in the direction of visual sense. In a faint relationship with the surface Graves’ touch replaces any easy initial understanding with the new affirmation that whatever this work is about or for, it could only ever really exist in this form.<br>\r\n<br>\r\nThe painting stroke and the relation the artist has with the surface, implies that this is an activity, a movement, a focus of concentration that could easily move on, and continue elsewhere off the edges of the painting.”<br>\r\n<br>\r\nReview of work written by Sacha Craddock","","","","","","",15);backgrounds[5535993]=new photo(5535993,"312900","","section374962","Susi1w.jpg",450,240,"",0,0,"The 19th century naturalists HD Thoreau and John Muir promised that in the “wilderness is the preservation of the world”. <br>\r\nCould the following be applied to contemporary landscape?: -    ‘In the park is the preservation of the society, in the allotment is the preservation of the community and in the garden is the preservation of the person.’","","","","","","",15);backgrounds[5535995]=new photo(5535995,"312900","","section374962","susi2w.jpg",450,299,"",0,0,"The 19th century naturalists HD Thoreau and John Muir promised that in the “wilderness is the preservation of the world”. <br>\r\nCould the following be applied to contemporary landscape?: -    ‘In the park is the preservation of the society, in the allotment is the preservation of the community and in the garden is the preservation of the person.’","","","","","","",15);backgrounds[5535996]=new photo(5535996,"312900","","section374962","susi4w.jpg",450,283,"",0,0,"The 19th century naturalists HD Thoreau and John Muir promised that in the “wilderness is the preservation of the world”. <br>\r\nCould the following be applied to contemporary landscape?: -    ‘In the park is the preservation of the society, in the allotment is the preservation of the community and in the garden is the preservation of the person.’","","","","","","",15);backgrounds[5535997]=new photo(5535997,"312900","","section374962","susi5w.jpg",450,285,"",0,0,"The 19th century naturalists HD Thoreau and John Muir promised that in the “wilderness is the preservation of the world”. <br>\r\nCould the following be applied to contemporary landscape?: -    ‘In the park is the preservation of the society, in the allotment is the preservation of the community and in the garden is the preservation of the person.’","","","","","","",15);backgrounds[5535999]=new photo(5535999,"312900","","section374962","susi6w.jpg",450,333,"",0,0,"The 19th century naturalists HD Thoreau and John Muir promised that in the “wilderness is the preservation of the world”. <br>\r\nCould the following be applied to contemporary landscape?: -    ‘In the park is the preservation of the society, in the allotment is the preservation of the community and in the garden is the preservation of the person.’","","","","","","",15);backgrounds[5536001]=new photo(5536001,"312898","","section374962","julia3w.jpg",400,602,"",0,0,"My work is concerned with a sense of loss and emptiness, and something missing from childhood.   The pieces are simple, familiar forms, rendered in everyday materials like plaster and cement.   There is a starkness and a sense of absence, where softness and a human presence might be expected.","","","","","","",15);backgrounds[5536003]=new photo(5536003,"312898","","section374962","julia5w.jpg",500,375,"",0,0,"My work is concerned with a sense of loss and emptiness, and something missing from childhood.   The pieces are simple, familiar forms, rendered in everyday materials like plaster and cement.   There is a starkness and a sense of absence, where softness and a human presence might be expected.","","","","","","",15);backgrounds[5536005]=new photo(5536005,"312898","","section374962","juliasbw.jpg",450,338,"",0,0,"My work is concerned with a sense of loss and emptiness, and something missing from childhood.   The pieces are simple, familiar forms, rendered in everyday materials like plaster and cement.   There is a starkness and a sense of absence, where softness and a human presence might be expected.","","","","","","",15);backgrounds[5542954]=new photo(5542954,"312895","","section374962","Johan-2.jpg",429,500,"",0,0,"Especially interested in portraying the light falling through the dark water of a lake, <br>\r\nI have been trying to paint the northern pike, esox lucius, a resident of the murky waters <br>\r\nin which I use to go fishing. I take the folklore of peoples fear of nature and the jungian <br>\r\narchetypical dimension into account.","","","","","","",15);backgrounds[5548098]=new photo(5548098,"312902","","section374962","Naz-3.jpg",500,500,"",0,0,'My life as an artist began in Iran. I didn\'t always know I would be an artist. Like most kids, I liked to draw and paint. When I was in primary school I always got the lowest mark in painting because my teacher kept asking me "why are you making the sky red, green or orange?".  I couldn\'t understand what her problem was with the colour of my sky. My mother kept saying to me that  painting is the only subject where everyone gets the highest score, so what is wrong with you? That is my first memory of painting.<br>\r\nMy paintings usually start with a colour idea, then evolve into composition in which colour is the primary subject.<br>\r\nTo me, art is a synthesis of my personal feelings, the subject or colours that inspire me and my materials and collage techniques.  I  get my ideas from nature and transform them through my vision on to the canvas.<br>\r\n <br>\r\n"eyes should be washed to see things in a different way...let\'s be simple every where"',"","","","","","",15);backgrounds[5548099]=new photo(5548099,"312902","","section374962","Naz-8.jpg",429,500,"",0,0,'My life as an artist began in Iran. I didn\'t always know I would be an artist. Like most kids, I liked to draw and paint. When I was in primary school I always got the lowest mark in painting because my teacher kept asking me "why are you making the sky red, green or orange?".  I couldn\'t understand what her problem was with the colour of my sky. My mother kept saying to me that  painting is the only subject where everyone gets the highest score, so what is wrong with you? That is my first memory of painting.<br>\r\nMy paintings usually start with a colour idea, then evolve into composition in which colour is the primary subject.<br>\r\nTo me, art is a synthesis of my personal feelings, the subject or colours that inspire me and my materials and collage techniques.  I  get my ideas from nature and transform them through my vision on to the canvas.<br>\r\n <br>\r\n"eyes should be washed to see things in a different way...let\'s be simple every where"',"","","","","","",15);backgrounds[5548100]=new photo(5548100,"312902","","section374962","Naz-11.jpg",353,500,"",0,0,'My life as an artist began in Iran. I didn\'t always know I would be an artist. Like most kids, I liked to draw and paint. When I was in primary school I always got the lowest mark in painting because my teacher kept asking me "why are you making the sky red, green or orange?".  I couldn\'t understand what her problem was with the colour of my sky. My mother kept saying to me that  painting is the only subject where everyone gets the highest score, so what is wrong with you? That is my first memory of painting.<br>\r\nMy paintings usually start with a colour idea, then evolve into composition in which colour is the primary subject.<br>\r\nTo me, art is a synthesis of my personal feelings, the subject or colours that inspire me and my materials and collage techniques.  I  get my ideas from nature and transform them through my vision on to the canvas.<br>\r\n <br>\r\n"eyes should be washed to see things in a different way...let\'s be simple every where"',"","","","","","",15);backgrounds[5548101]=new photo(5548101,"312902","","section374962","Naz-12.jpg",500,429,"",0,0,'My life as an artist began in Iran. I didn\'t always know I would be an artist. Like most kids, I liked to draw and paint. When I was in primary school I always got the lowest mark in painting because my teacher kept asking me "why are you making the sky red, green or orange?".  I couldn\'t understand what her problem was with the colour of my sky. My mother kept saying to me that  painting is the only subject where everyone gets the highest score, so what is wrong with you? That is my first memory of painting.<br>\r\nMy paintings usually start with a colour idea, then evolve into composition in which colour is the primary subject.<br>\r\nTo me, art is a synthesis of my personal feelings, the subject or colours that inspire me and my materials and collage techniques.  I  get my ideas from nature and transform them through my vision on to the canvas.<br>\r\n <br>\r\n"eyes should be washed to see things in a different way...let\'s be simple every where"',"","","","","","",15);backgrounds[5549861]=new photo(5549861,"312892","","section374962","Laura-8w.jpg",500,379,"",0,0,"I paint my vision of the world through abstracted imagery and layered paint, using the power and universality of colour to communicate with the viewer. Within the paintings are juxtapositions of opaque and translucent colour with gestural marks, giving a sense of time to the soul of the work. ","","","","","","",15);backgrounds[5549863]=new photo(5549863,"312906","","section374962","philipbumw.jpg",440,624,"",0,0,'" Most of my sculptures have been memories remade, recombined, and filtered through my current experiences-" <br>\r\nRobert Gober<br>\r\n<br>\r\n"A Sculpture should aspire to be a Thing-"<br>\r\nWilliam Tucker<br>\r\n',"","","","","","",15);backgrounds[5549867]=new photo(5549867,"312906","","section374962","philipfbrw.jpg",450,403,"",0,0,'" Most of my sculptures have been memories remade, recombined, and filtered through my current experiences-" <br>\r\nRobert Gober<br>\r\n<br>\r\n"A Sculpture should aspire to be a Thing-"<br>\r\nWilliam Tucker<br>\r\n',"","","","","","",15);backgrounds[5549869]=new photo(5549869,"312906","","section374962","philippatternw.jpg",450,445,"",0,0,'" Most of my sculptures have been memories remade, recombined, and filtered through my current experiences-" <br>\r\nRobert Gober<br>\r\n<br>\r\n"A Sculpture should aspire to be a Thing-"<br>\r\nWilliam Tucker<br>\r\n',"","","","","","",15);backgrounds[5556522]=new photo(5556522,"312892","","section374962","1fishmanbluew.jpg",450,613,"",0,0,"I paint my vision of the world through abstracted imagery and layered paint, using the power and universality of colour to communicate with the viewer. Within the paintings are juxtapositions of opaque and translucent colour with gestural marks, giving a sense of time to the soul of the work. ","","","","","","",15);backgrounds[5556526]=new photo(5556526,"312892","","section374962","3fishmanmaizew.jpg",450,604,"",0,0,"I paint my vision of the world through abstracted imagery and layered paint, using the power and universality of colour to communicate with the viewer. Within the paintings are juxtapositions of opaque and translucent colour with gestural marks, giving a sense of time to the soul of the work. ","","","","","","",15);backgrounds[5556527]=new photo(5556527,"312892","","section374962","5fishmanholw.jpg",450,447,"",0,0,"I paint my vision of the world through abstracted imagery and layered paint, using the power and universality of colour to communicate with the viewer. Within the paintings are juxtapositions of opaque and translucent colour with gestural marks, giving a sense of time to the soul of the work. ","","","","","","",15);backgrounds[5556528]=new photo(5556528,"312892","","section374962","7fishmancollw.jpg",450,322,"",0,0,"I paint my vision of the world through abstracted imagery and layered paint, using the power and universality of colour to communicate with the viewer. Within the paintings are juxtapositions of opaque and translucent colour with gestural marks, giving a sense of time to the soul of the work. ","","","","","","",15);backgrounds[5556529]=new photo(5556529,"312892","","section374962","Beachw.jpg",455,383,"",0,0,"I paint my vision of the world through abstracted imagery and layered paint, using the power and universality of colour to communicate with the viewer. Within the paintings are juxtapositions of opaque and translucent colour with gestural marks, giving a sense of time to the soul of the work. ","","","","","","",15);backgrounds[5556535]=new photo(5556535,"312892","","section374962","Twilightw.jpg",450,608,"",0,0,"I paint my vision of the world through abstracted imagery and layered paint, using the power and universality of colour to communicate with the viewer. Within the paintings are juxtapositions of opaque and translucent colour with gestural marks, giving a sense of time to the soul of the work. ","","","","","","",15);backgrounds[5559966]=new photo(5559966,"312890","","section374962","marco3w.jpg",550,365,"",0,0,"Bulide is a cave in cardboard, lives in space in which it is built, it is a work that incorporates, or given the available surface bulide employing entirely.<br>\r\nBulide The term derives from Eubulide, greek philosopher who is generally attributed to the paradox of the liar.<br>\r\nThe work plays on the visual impact, the first appearance I want the viewer is led to believe, to actually be in front of a real cave, who doubts the reality is located inside a cooling artiganale, made with material recycling, which operate as loading a container with colored icicles.","","","","","","",15);backgrounds[5563851]=new photo(5563851,"312898","","section374962","Julia1w.jpg",400,617,"",0,0,"My work is concerned with a sense of loss and emptiness, and something missing from childhood.   The pieces are simple, familiar forms, rendered in everyday materials like plaster and cement.   There is a starkness and a sense of absence, where softness and a human presence might be expected.","","","","","","",15);backgrounds[5593801]=new photo(5593801,"313161","","section374962","helintracew.jpg",500,356,"",0,0,"Trace  <br>\r\n63cmX43cm C-type handmade print<br>\r\n<br>\r\nI am a cross-disciplinary artist working predominantly with video exploring space through a lens. My artistic practice has evolved through the exploration of time-based digital art practices in conjunction with painting, leading to video and sound installations. Drawing on ideas on transcultural identity, cultural displacement, nostalgia and loss; my work expands a diasporic perspective into a wider cultural point of view.","","","","","","",15);backgrounds[5604595]=new photo(5604595,"312898","","section374962","julia19w.jpg",450,600,"",0,0,"My work is concerned with a sense of loss and emptiness, and something missing from childhood.   The pieces are simple, familiar forms, rendered in everyday materials like plaster and cement.   There is a starkness and a sense of absence, where softness and a human presence might be expected.","","","","","","",15);backgrounds[5604597]=new photo(5604597,"312898","","section374962","julia31w.jpg",500,375,"",0,0,"My work is concerned with a sense of loss and emptiness, and something missing from childhood.   The pieces are simple, familiar forms, rendered in everyday materials like plaster and cement.   There is a starkness and a sense of absence, where softness and a human presence might be expected.","","","","","","",15);backgrounds[5604599]=new photo(5604599,"312898","","section374962","julia43w.jpg",450,600,"",0,0,"My work is concerned with a sense of loss and emptiness, and something missing from childhood.   The pieces are simple, familiar forms, rendered in everyday materials like plaster and cement.   There is a starkness and a sense of absence, where softness and a human presence might be expected.","","","","","","",15);backgrounds[5620642]=new photo(5620642,"312890","","section374962","marco6w.jpg",500,332,"",0,0,"Bulide is a cave in cardboard, lives in space in which it is built, it is a work that incorporates, or given the available surface bulide employing entirely.<br>\r\nBulide The term derives from Eubulide, greek philosopher who is generally attributed to the paradox of the liar.<br>\r\nThe work plays on the visual impact, the first appearance I want the viewer is led to believe, to actually be in front of a real cave, who doubts the reality is located inside a cooling artiganale, made with material recycling, which operate as loading a container with colored icicles.","","","","","","",15);backgrounds[5620644]=new photo(5620644,"312890","","section374962","marco12w.jpg",400,603,"",0,0,"Bulide is a cave in cardboard, lives in space in which it is built, it is a work that incorporates, or given the available surface bulide employing entirely.<br>\r\nBulide The term derives from Eubulide, greek philosopher who is generally attributed to the paradox of the liar.<br>\r\nThe work plays on the visual impact, the first appearance I want the viewer is led to believe, to actually be in front of a real cave, who doubts the reality is located inside a cooling artiganale, made with material recycling, which operate as loading a container with colored icicles.","","","","","","",15);backgrounds[5620646]=new photo(5620646,"312890","","section374962","marco30w.jpg",423,637,"",0,0,"Bulide is a cave in cardboard, lives in space in which it is built, it is a work that incorporates, or given the available surface bulide employing entirely.<br>\r\nBulide The term derives from Eubulide, greek philosopher who is generally attributed to the paradox of the liar.<br>\r\nThe work plays on the visual impact, the first appearance I want the viewer is led to believe, to actually be in front of a real cave, who doubts the reality is located inside a cooling artiganale, made with material recycling, which operate as loading a container with colored icicles.","","","","","","",15);backgrounds[5658817]=new photo(5658817,"312906","","section374962","podow.jpg",500,375,"",0,0,'" Most of my sculptures have been memories remade, recombined, and filtered through my current experiences-" <br>\r\nRobert Gober<br>\r\n<br>\r\n"A Sculpture should aspire to be a Thing-"<br>\r\nWilliam Tucker<br>\r\n',"","","","","","",15);